Posted by
Tracey P. Lauriault-2 on
Mar 23, 2006; 2:34pm
URL: http://civicaccess.416.s1.nabble.com/Critical-Information-Studies-CIS-tp371.html
This in an interesting field of scholarly research of relevance to
Civic Access, more attuned to debates in cultural studies regarding
cultural records however, the following is very interesting, and I
always like it when i see these debates from unexpected communities:
Siva Vaidhyanathan
AFTERWORD: CRITICAL INFORMATION STUDIES
A bibliographic manifesto
http://www.nyu.edu/classes/siva/archives/CriticalInformationStudies.pdf
Excerpt:
Critical Information Studies investigates four dynamic fields of
scholarly analysis and debate:
- . the abilities and liberties to use, revise, criticize, and
manipulate cultural texts, images, ideas, and information;
- . the rights and abilities of users (or consumers or citizens) to
alter the means and techniques through which cultural texts and
information are rendered, displayed, and distributed;
- . the relationship among information control, property rights,
technologies, and social norms; and
- . the cultural, political, social, and economic ramifications of
global flows of culture and information.
Abstract:
This paper takes measure of an emerging scholarly field that sits at
the intersection
of many important areas of study. Critical Information Studies (CIS)
considers the
ways in which culture and information are regulated by their
relationship to
commerce, creativity, and other human affairs. CIS captures the variety
of
approaches and bodies of knowledge needed to make sense of important
phenomena
such as copyright policy, electronic voting, encryption, the state of
libraries, the
preservation of ancient cultural traditions, and markets for cultural
production. It
necessarily stretches to a wide array of scholarly subjects, employs
multiple
complementary methodologies, and influences conversations far beyond
the gates of
the university. Economists, sociologists, linguists, anthropologists,
ethnomusicologists,
communication scholars, lawyers, computer scientists, philosophers, and
librarians have all contributed to this field, and thus it can serve as
a model for
how engaged, relevant scholarship might be carried out. CIS
interrogates the
structures, functions, habits, norms, and practices that guide global
flows of
information and cultural elements. Instead of being concerned merely
with one’s
right to speak (or sing or publish), CIS asks questions about access,
costs, and
chilling effects on, within, and among audiences, citizens, emerging
cultural
creators, indigenous cultural groups, teachers, and students. Central
to these issues
is the idea of ‘semiotic democracy’, or the ability of citizens to
employ the signs
and symbols ubiquitous in their environments in manners that they
determine.
Keywords copyright; cultural policy; intellectual property; law;
regulation; semiotic democracy
Full Reference to the paper:
Cultural Studies Vol. 20, Nos 2 /3 March/May 2006, pp. 292 /315
ISSN 0950-2386 print/ISSN 1466-4348 online – 2006 Taylor & Francis
http://www.tandf.co.uk/journals DOI: 10.1080/09502380500521091